Review: Minimalist “Chicago” at TPAC Captivates with Pure Theatricality

By Sarah E. Saysoukha | Photo by Jeremy Daniel

The recent production of “Chicago” at the Tennessee Performing Arts Center delivered a thrilling, stripped-down interpretation of the classic musical, proving that its razor-sharp wit and sizzling jazz score can shine without elaborate sets or flashy costumes.

One of the most striking choices in this production was placing the orchestra onstage, making the musicians an integral part of the performance. Their presence added an electrifying energy, reinforcing the show’s cabaret-like feel and allowing the music to take center stage. Under the direction of skilled conductor, Cameron Blake Kinnear, the orchestra performed Kander and Ebb’s iconic score with precision and flair, providing a rich, dynamic backdrop for the performers.

The minimalist set — consisting solely of chairs — placed the focus squarely on the actors to create the world of “Chicago.” This approach worked remarkably well, allowing the choreography and performances to shine. The cast used the chairs creatively, shifting their positions to suggest different locations while keeping the stage visually engaging. Towering ladders on either side of the stage added dynamic levels to the performance, naturally drawing the eye upward and creating a sense of openness despite the crowded stage.

The monochromatic costumes further emphasized the production’s stark aesthetic. Instead of elaborate period outfits, the performers were clad entirely in black, heightening the focus on movement and expression. This design choice underscored the show’s themes of deception and moral ambiguity, reinforcing the dark allure of “Chicago.”

The performers infused the production with energy and charisma, making it truly come alive. Ellie Roddy delivered a thrilling performance as Roxie Hart, showcasing impeccable comedic timing. She effortlessly embodied the role of the conniving temptress, balancing charm and deviousness with ease. Taylor Lane was a powerhouse as Velma Kelly, demonstrating an impressive vocal range and acting prowess. In “We Both Reached for the Gun,” she flawlessly embodied the ventriloquist’s dummy, adding both precision and humor to the number. Connor Sullivan commanded the stage as Billy Flynn, exuding charisma and charm. His smooth vocals and effortless confidence perfectly captured the slick, showman-like nature of the character, making every moment captivating.

I would be remiss not to mention Andrew Metzger’s standout performance as Amos Hart. His heartfelt rendition of “Mr. Cellophane” struck the perfect balance between humor and vulnerability, making the audience sympathize with him while adoring him even more. Truly an inspired performance.

This “Chicago” proved that spectacle isn’t necessary when the material is this strong. By embracing simplicity, the production allowed the music, movement, and razor-sharp satire to shine. A bold and captivating take on a beloved classic, it was a testament to the power of storytelling through pure theatricality.

Know Before You Go

What: “Chicago”
Where: TPAC’s Andrew Jackson Hall
When: January 28 – February 2, 2025
How: Buy tickets here.